2/2/2024 0 Comments Dr susan yu in santa monicaI had the esteemed privilege of being awarded the Zelma H. Through such designs, I hope to present the presence and influence of each individual amidst the ongoing transformations of the modern world. My costume design combines historical styles, contemporary street styles, and rock elements, seeking to blend this classic story with contemporary significance. The musical “Natasha, Pierre & The Great Comet of 1812” I designed is rooted in the grand historical backdrop of the Russian novel “War and Peace,” portraying the fading aristocratic era of 19th-century Russia and the intertwining of personal destinies with historical events. My aim is to craft creations that radiate beauty and value, resonating with people from all of humanity. This design reflects the dual nature of the characters’ circumstances within the story.Ĭan you open up a bit about your work and career? We’re big fans and we’d love for our community to learn more about your work.Īs both a designer and an artist, I constantly seek to infuse my designs with a diverse mix of cross-cultural elements and interdisciplinary techniques. These shimmering ropes, entwined around the actors, not only indicated their opulent and extravagant lifestyles but also hinted at the burdens they carried under the control and oppression of various powers and authorities. One recurring element throughout this design was the prominent use of golden ropes, which was a metaphor of the characters’ conflicting situations and com plex existence within the story. This recognition afforded me the opportunity to showcase my costume designs for the opera “Salome” at the national Opera Conference. Recently, I had the privilege of being part of the winning team for received the OPERA America 2022 Robert L.B. Furthermore, I strive to portray the characters’ circumstances, relationships, and dramatic dynamics with other characters. Understanding the characters’ inner emotions is of utmost importance to me, and I employ costume design as an artistic tool to effectively convey these messages to the audience. Clothing bestows upon the natural body a multitude of meanings, conveying the individual’s personality and identity, highlighting their cultural and social background, and reflecting their values and interpretation of “beauty.”Īs a costume designer, I consistently imbue this philosophy into my work and weave stories into my designs. My main objective is to help actors establish and fully embody their characters. Whether meticulously dressed or casually adorned, it serves as a proactive means for individuals to express themselves to the world. In the realm of social life, clothing serves as a defining element of one’s identity. However, for me, the heart of costume design lies not in creating merely “beautiful” characters, but in crafting characters that are “authentic”. When people discuss theatrical costume design, those who are unfamiliar with the field often simplistically judge the success of a design based on its perceived beauty or lack thereof. Hi Zhang Yu, we’d love for you to start things off by telling us something about your industry that we and others not in the industry might be unaware of? We had the good fortune of connecting with Zhang Yu and we’ve shared our conversation below.
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